Showing posts with label series. Show all posts
Showing posts with label series. Show all posts

Friday, 16 December 2022

The Good Lord Bird (2020) | Limited Series | Review (Thoughts)

 Limited Series. 

24/Nov/2022. Watched. My rating: 9/10

 Prior to watching this, I knew next to nothing about the historical figure, John Brown. Matter of fact, I knew only his name and the fact that he was a violent abolitionist. But after watching this, like after watching any film based on any historical events, I've begun researching about the man and his history. That's the thing about great filmmaking; it infects you with its own curiosity regarding the subject it is about. Which makes me wonder if my own interests stem from others' passions.

 The Good Lord Bird is a limited series which came out in 2020 and it is directed by a group of coloured people, men and women. Its short, sweet and to the point and the cinematography at times reminded me of Red Dead Redemption 2.

 The casting is just phenomenal here, really great bunch of actors in really well written roles. Ethan Hawke tore the stage with his thunderous performance as John and he deserves all the praise that he got for it and his larger than life character is perfectly complimented by young Joshua Caleb Johnson's relatively restrained performance as Onion. Wyatt Russel, Daveed Diggs... what a cast.

 Funny enough, Ellar Coltrane, who was the boy in Linklater's Boyhood (2014), played Ethan's son in this as well. I guess its his niche, his speciality.

 I was going to write a piece on it talking about the various layers of dichotomy (between god & country, humor & horror, black & white etc.) but I watched it on 24th of November and today is 16th of December and I'm no longer interested in talking about it. Plus, today, I'm sick at heart. 

 Great show though.

Tuesday, 19 July 2022

Generation War (Unsere Mutter, Unsere Vater; 2013) | Limited Series Review

 17/July/2022. Watched. 

 My rating: 9/10

 Every summer I tend to watch a lot of war movies; the hot weather does  incite the urge to return to the battlefields where the enemy is kill-able, unlike the heat wave. In 2020 I watched Schindler's List, Full Metal Jacket, Apocalypse Now etc. Band of Brothers in '21. The raucous atmosphere that war films create comforts me somehow. Call of Duty 2 was, I think, my proper introduction to World War 2. It was just amazing. It still is, to think that it actually happened. And watching something in this genre always brings back the memories of that game. "MG-42 BEHIND THOSE SANDBAGS!".

 I've always been fascinated with Nazis. The hoards upon hoards of nameless Germans that come in these games and movies in the form of "The Enemy" instilled a strong sense of curiosity in me. Why are they the bad guys? How can such a large population become a puppet for an extremist? These were some of the questions which popped into my young brain as a child. 

 Among my favorite films of all time is Inglorious Basterds (2009) in which the Nazi is shown as a weasel, a backstabber, a schemer and a beast. But, in War Generation, the Nazi is shown as a victim. At least some Nazis, the average soldier.  Even it's original title, "Unsere Mutter, Unsere Vater" (Our Mothers, Our Fathers) humanizes the supporters of NSDAP. Hitler, after all, like any other politician, was elected. 

 Consisting of only 3 episodes, an hour and a half each, it tells the story of 5 friends. A Lieutenant and his younger brother who is also conscripted in the war even though he has no interest in it for he is a reader and an intellectual. The other three being a singer, a nurse and a jew. War changes them. Brings out the worst.

 Now, the way its filmed is nothing revolutionary. As you'd imagine, it takes inspiration from Saving Private Ryan (1998) & Band of Brothers (2001). But the fact that it tells the story of the German side, in this very American manner of filmmaking, it helps you empathize with them that much more. And I love it for it. 

 Everyone of the five friends is screwed by their country in one or another. The soldiers are shell-shocked, the singer gets abused and gets thrown in prison, the nurse witnesses the horrendous aftermath of battles and the jew, well, y'know... Everyone is humanized. The nurse, who was the sweetest person in the beginning, says some racist stuff and commits a sin which she later regrets. But you understand them. You feel sorry for them. Its a tragedy that they were indoctrinated with such hatred. After all, they are your mothers and fathers.

 Even though melodrama is found here in spades, it works. It has a strong sense of earnestness to it. It did made me well up. The cast here is terrific. The ones who caught my attention the most were Miriam Stein (Charlotte the nurse) and Ludwig Trepte (the jew). Sylvester Groth, who played Joseph Goebbels in Inglorious Basterds also showed up as a stone cold SS officer. A couple of days ago, I randomly started watching a German series, Deutschland '83, and I was so happy to see that Groth and Trepte had roles in that show. I just might continue watching it. 

 The show boasts of some great set pieces and action sequences. There's a scene where partisans hide and wait to ambush a train going to a death camp. In another, civilians are forced to walk through a mine field to clear the way for the German soldier. Another had the trenches and the camp bombed because one of the main characters kept smoking even after noticing an enemy aircraft. But the most impressive thing for me was it's editing and how it maintained a rapid pace and intensity throughout its four and a half hour runtime.  

 Unsere Mutter, Unsere Vater is an essential watch if you're interested in the genre. My neck and my back hurts, I shouldn't type on the bed anymore. Oh well...

Monday, 27 June 2022

Moon Knight (2022) | Series Review

 27/June/2022. Watched. 

 My rating: 7.8/10

 A few years ago I began reading the Moon Knight comics because the premise promised a character study of a troubled individual with multiple personality disorder and superpowers. With costume which reminds you of Bat-Man, the character couldn't have been further from the Dark Knight. But, as it turned out, I couldn't get past the first issue. It was too pulpy and convoluted for my liking and the artwork was not very good to look at to say the least. But after watching this adaptation, I feel like picking up the Warren Ellis' Moon Knight even though I've outgrown the Marvel comics. 

 Oscar Isaac and Ethan Hawke make this show work. Oscar with his double (triple, technically) role as the British nerd Steven, a timid man who fears his own shadow and Marc, an American mercenary slash badass. And to make things even more awkward, both the personalities are in love with the same girl, Layla, played by May Calamway, the awkward part being that Marc is married to Layla. 

 Ethan Hawke has always been one of my favorites, whether it be Linklater's Tape (2001), the Before Trilogy, Boyhood (2014) or The Dead Poets' Society (1989), I'm yet to see him deliver anything less than perfection. And I think he is pretty good as the cult-leader villain here, even though the writing doesn't really hit the mark most of the time. 

 The writing in general doesn't feel like the show's strength. The ancient Egyptian civilization and their mythology have always been my favorite to read about, probably because of the massive, insanely intricate structures that they built. And also because of the Library of Alexandria which unfortunately went up in flames. But unfortunately the show doesn't really take full advantage of the mythology, the way Assassin's Creed: Origins did. 

 The real star of this whole production has to be the soundtrack. The score feels fresh and is actually a bit memorable and is clearly the best original score Marvel has come up with in years. And the Egyptian pop songs with their Arabic rap gives the atmosphere an incredibly distinct personality. The clear standout for me was El Malouk by Ahmed Saad. I also found out that the show also utilized underground music of Egypt which is banned in their country because freedom of expression isn't free everywhere. And Disney must be praised for putting the repressed at the front and centre and refusing to portray the culture in a stereotypical manner.

 The costumes of the show also look terrific, whether it be the Deadpool-esque Mr Knight costume or Layla's outfit in the climax. May Calamway really made me interested in her character by the end of it; would definitely like to see her return. Both of the leads should return in a feature film. 

 What I didn't enjoy about this show was how it kept skipping over the action scenes and how there was very little Moon Knight present in a show which has him as it's title. I was expecting Jake Lockley to appear and deliver his fight scenes in the most gruesome way but it never happened. Instead he appeared at the end and that was it. It felt like the whole story was a build up to a let down. 

 Moon Knight is an enjoyable show to watch because of it's eccentric editing and loony lead performance. Lets see when this character will return.

Humans in the Loop | 2025 | Film Review

 (I haven't written a piece on a film in almost two years, so let me stretch my wings...) On the 23rd of February, a friend took me ...